There's nothing like the aroma of baking bread. It's a basic and primal experience and there's something in the aroma of fresh bread that connects family members to roots, to the family and to a feeling of serenity.
I've heard about couples who regularly bake bread together. They knead the dough, let the loaves rise, leaven the dough, fill it and season it, and sit together and eat it.
Someone once told me that baking bread, toasting peppers on the fire, and frying garlic are better than bringing flowers home because the memory of the aroma is stronger and longer than the color and the joy that the flowers bring to the house during their brief life in the vase.
I can easily relate to those words, but for me, there is no contradiction between the two. Flowers are very romantic and bread is very "family", so it doesn't surprise me that a lot of the moulds that people buy from me are bought as wedding presents, for the birth of a new baby and for house-warming parties. People like to give presents that have a connection with values.

This mould, like any high-quality kitchenware, is an outcome of specialization and of connecting the worlds of craftsmen – bakers on the one hand and ceramics craftsmen on the other.
I could have considered very commercial moulds that result in a compromised bread, but this mould enables the user to develop his skill in baking the bread precisely because it is done by hand.
I can't relate to the new silicon baking pans and definitely not to the electronic bread machines, but I do recognize the need for their existence. It's the nature of the world to strive for development and there's room in the world for a lot of experimenting.

Every mould I make goes through a complete process of touching-up and finishing before it is put into the ceramics oven for the final burning.
The attributes of the surfaces, laying the pebbles in the casting moulds before the ceramic casting itself, the width of the mould's side to make sure it is thick enough to radiate the heat, and of course, the right mixture of the casting material are all meticulously supervised.

Each mould is hand-made and it is stamped with approval only after a thorough examination of the surfaces and the attributes of the places where the various surfaces are joined together.